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Fania Fénelon (2 September 1908 – 19 December 1983) was a French pianist, composer and cabaret singer, whose survival of the Holocaust was made into a television film, ''Playing For Time''. ==Biography== Fanja Goldstein was born in Paris in 1908〔(Year of birth given as 1908 ), Gayworld.be; accessed 25 October 2015.〕〔 (JTA Age at death in 1983 given as 75 by sister-in-law, indicating 1908 year of birth ), jta.org; accessed 25 October 2015.〕 to Jules Goldstein, an engineer in the rubber industry, and Maria Davidovna Bernstein; both of her parents were from the Russian city of Rostov-on-Don. She attended the Conservatoire de Paris, where she studied under Germaine Martinelli, obtaining a first prize in piano (despite her diminutive size and very small hands) and at the same time worked nights, singing in bars. She had two brothers, Leonide and Michel Goldstein. Her marriage to Silvio Perla (a Swiss athlete, specialist in the 5000 m) ended in divorce, which was finalized after the war.〔 During the Second World War, she supported the French Resistance against the Nazis until her arrest and deportation to Auschwitz-Birkenau, where she was a member of the girl orchestra of Auschwitz, then to Bergen-Belsen, until she was freed in 1945. Suffering from a potentially fatal case of typhus and weighing only 65 pounds, she sang for the BBC on the day of her liberation by British troops. (A Library of Congress entry for this recording gives her name as Fanja Perla, her married name at the time; her divorce from Perla was finalized after the war.)〔 Under her pseudonym of "Fénelon" (which she took up after the war), Goldstein became a well known cabaret singer. In 1966 she went with her African-American life-partner, baritone singer Aubrey Pankey, to East Berlin. After her partner's death she returned to France. Between 1973-75, with Marcelle Routier, she wrote ''Sursis pour l'orchestre'', a book about her experiences, based on the diary she kept at the concentration camps. It dealt with the degrading compromises survivors had to make, the black humor of inmates who would sometimes laugh hysterically over gruesome sights, the religious and national tensions among inmates (e.g. between the Jewish musicians and anti-Semitic Poles), and the normality of prostitution and lesbian relationships. At Birkenau, Fénelon was one of the two main singers, an occasional arranger of musical pieces, and even a temporary drummer, when the original drummer briefly took ill.〔(Profile ), jta.org; accessed 16 November 2014.〕 All of the orchestra members survived the war, save for the conductor Alma Rosé, who died of a sudden illness at the camp. Most of the other survivors, particularly Anita Lasker-Wallfisch and Violette Jacquet, disagreed with the Fénelon's book's negative portrayal of Rosé, the orchestra's conductor, who, although Jewish, had been given the equivalent status of a kapo. The book was translated into German and English in slightly abridged editions. Fénelon told the press at the time that she was writing another book about her life after the camps, but this never materialized. Linda Yellen filmed ''Playing For Time'' using as script a dramatic adaptation by Arthur Miller. Fénelon bitterly opposed Miller's and Yellen's purportedly sanitized rendition of life in the camps and above all Yellen's casting of Vanessa Redgrave to play her. Redgrave was a well-known PLO sympathizer〔(Bafta Awards 2010: Vanessa Redgrave interview ), telegraph.co.uk; accessed 16 November 2014.〕 and, standing close to six feet tall, bore little resemblance to the petite Fania. "I do not accept a person to play me who is the opposite of me ... I wanted Liza Minnelli. She's small, she's full of life, she sings and dances. Vanessa ... doesn't have a sense of humor, and that is the one thing that saved me from death in the camp", Fénelon said. She scolded Redgrave in person during a ''60 Minutes'' interview but the actress garnered the support of the acting community. Fénelon never forgave Redgrave, but eventually softened her view of the production to concede that it was "a fair film".〔Robert Charles Reimer, Carol J. Reimer. ''Historical Dictionary of Holocaust Cinema'', Scarecrow Press, Inc.; ISBN 978-0-8108-7986-7 (ebook); accessed 25 October 2015.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Fania Fénelon」の詳細全文を読む スポンサード リンク
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